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本文以中国古代文学在当代陶瓷装置上的表现为例,对中国古代文学进行艺术特性进行研究,分析和整理出可以在装置艺术上运用的中华文化中的造型元素和蕴含的民族精神。古代文学传承了深刻而灿烂的中国文化,但其在现代社会中想要深刻的理解古代文学,对受众要求一定的知识水平和文化内涵并且对于向非亚洲地区传播业具有很大的困难因素,使要其发展和发扬,就需要一种更直观、更大众的艺术方法。而当代装置艺术是一门兴起不久的当代艺术门类,尤其在国内,装置艺术还处于起步阶段,将古代文学与装置艺术结合不仅为古代文学开辟了新的发展传承的思路也为装置艺术提供了更具内涵和民族特性的课题,无论对古代文学还是装置艺术都值得对此课题进行研究和创新。
Taking the performance of ancient Chinese literature on contemporary ceramic installations as an example, this paper studies the artistic characteristics of ancient Chinese literature, analyzes and sorts out the modeling elements and national spirit that can be used in installation art. Ancient literature has inherited a profound and splendid Chinese culture. However, in modern society, it wants to deeply understand ancient literature, ask audiences a certain level of knowledge and cultural connotations, and have great difficulties in spreading the media to non-Asian regions. To develop and carry forward it requires a more intuitive and public art approach. Contemporary installation art is a rising contemporary art category. Especially in China, installation art is still in its infancy. Combining ancient literature with installation art not only opens up new development and inheritance for ancient literature, but also provides installation art More content and national characteristics of the subject, both ancient literature and installation of art are worthy of this research and innovation.