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本文主要从四个方面加以阐述,重复构成形式的概念、重复构成形式运用的历史、城市公共艺术的发展以及重复构成形式在城市公共艺术创作中的运用。重复构成形式的运用有着悠久的历史,远在原始陶器艺术中,就有了简单鲜明的重复元素。经济的快速发展,促进了城市化进程。然而,公共艺术作为当今城市中一种日趋重要的文化形式,起着愈加彰显文化载体和城市地标的作用,并成为城市的符号与象征。城市公共艺术可以做为一个城市的“点睛”之笔,凝聚着城市的特色,它们往往占据着人们视觉与心理的中心,帮助人们迅速辨认其所置身的场所,并感觉到一种独特的城市人文精神。发展至今,重复构成形式也成为城市公共艺术创作中的一种重要表现形式。艺术家们主观地运用重复这一构成形式来加强某种印象,用绝对和相对的重复同观众进行交流。由于重复的渗透,城市公共艺术本体语言的完善和探索工作得到了丰富和发展,使得城市公共艺术在视觉上产生了强烈的节奏感和现代感,在情感上也产生更强的震撼与触动。
This article mainly elaborates from four aspects, repeating the concept of form, repeating the history of using form, the development of urban public art and the application of repetitive constituent forms in the creation of urban public art. The use of repetitive forms has a long history, with simple, repetitive elements as far back as primitive pottery. The rapid economic development has promoted the process of urbanization. However, as an increasingly important cultural form in today’s cities, public art plays a more and more important role as a carrier of culture and urban landmarks and becomes a symbol and symbol of the city. Urban public art can be used as the “touch-point” of a city, embodying the characteristics of the city, which often occupy the center of people’s vision and psychology, helping people to quickly identify where they live and feel a unique Urban humanism. Since its inception, repetitive forms of composition have also become an important manifestation of urban public art creation. The artists subjectively use the repetition of this composition to reinforce an impression and to communicate with the audience in absolute and relative repetition. Due to the repeated infiltration, the perfection and exploration of the urban public art ontology language has been enriched and developed. As a result, the public art in the city has produced a strong sense of rhythm and modernity in the visual sense, and it also has a stronger impact and touch on the emotion.