论文部分内容阅读
回首二十世纪八九十年代,像姜朝皋那样痴迷于编剧行业者曾一度多如过江之鲫。然而,随着戏曲危机的降临,在娱乐消费文化的诱惑和新兴艺术样式的冲击下,从事编剧行业者便杳如黄鹤、不知踪影了。而像姜朝皋这样不管时势变幻、风雨阴晴,不顾工作变动、人事更迭,不计屡屡受挫、身心俱损,不问他人如何评说,始终不言放弃、不言躲避,初衷不改、矢志不移,知行统一的坚守者,并且佳作不断的剧作家,更是凤毛麟角。古人说,“文如其人”“诗品出于人品”。读姜朝皋的剧作,看姜朝皋的戏,常常会和他本人叠印在一起:姜朝皋面容清癯、目光深沉,
Looking back at the 1980s and 1990s, people who were addicted to screenwriters like Jiang Chao-gao had once been more like crucian carp. However, with the advent of the drama crisis, under the impact of the entertainment and consumer culture and the emerging art style, those engaged in the screenwriting industry would not be able to find any trace of Huang He. However, like Jiang Zhaogao, regardless of the changes in the times, the stormy days, regardless of job changes, changes in personnel, regardless of repeated setbacks, both physically and mentally impaired, do not ask how others comment, always give up, dodge evasion, the original intention does not change, It is even rarer to stick to the line of unification and playwright. The ancients said, “Wen as the people ” “poetry out of character ”. Read Jiang Zao Gao's play, see Jiang Chao Gao's play, and he often overprint: Jiang Zhaogao face clear, deep eyes,