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《红楼梦》成书于清乾隆年间,满汉文化相融合而又碰撞的时代背景经过了作者的艺术加工,使这部文学巨著大放光彩。本文从八旗祭祀典礼着手,从祭祀与萨满跳神、祭祖与女性崇拜两方面探讨满洲祭祀习俗在《红楼梦》中的艺术体现,以此向这部伟大的文学作品致敬。
“Dream of Red Mansions” into the book in the Qing Emperor Qianlong years, Manchu and cultural integration but collision of the background of the times after the author’s art processing, make this literary masterpiece shine. This article starts from the sacrificial ceremony of Eight Banners and explores the artistic expression of Manchurian sacrificial custom in “Dream of Red Mansions” from sacrificial offering and shamanic deities, worshiping ancestors and female worship, in order to pay tribute to this great literary work.