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一坐在剧院看戏曲演出,留神一下前后左右观众的头发,便会发现苍的多,黑的少,三十岁以下者寥寥无几。戏曲缺少青年观众之原因,固然在于自身。诸如内容千篇一律,出新少;一唱三叹节奏慢;缺乏八十年代时代感,等等。除此再有其他什么缘由没有?答曰:有的! 四十年代,我读初中,每一学期的语文课本上都印有三至五篇戏曲文学。记得有一次开学,同学们翻着刚领到的新
A sit in the theater to see the performance of opera, look around the audience’s hair, you will find more dark, less black, very few under the age of 30. The reason why the opera lacks a young audience is of course itself. Such as the content of stereotyped, a new less; a singing three sigh slowly; the lack of a sense of the era of the eighties, and so on. There are other reasons why there is no other? Answer: Yes! Forties, I read junior high school, each semester of Chinese textbooks are printed three to five opera literature. I remember one school, students just turned over the new collar