论文部分内容阅读
一韩天衡在新时期的印坛上,如果让我只举出一个人做为这一时期的代表,我也会毫不犹豫地推举韩天衡。韩天衡之成为新时期印坛的表率,在某种意义上说,几乎是天意。在芸芸众生懵懵懂懂地虚掷着精神、竞相文攻武卫的岁月里,他,却是独醒的。潜龙入渊,退藏于密,舞刀弄石,穷究印学。在思想解放运动伊始的一九八○年,篆刻艺术也伴着整个的思想解放运动复苏了,韩天衡正是在这样的时刻步入了金子般的不惑之年。带着独醒的沉思、丰厚的积淀和足以令人们信任的成熟,以及没有消退的年轻人的进取。他很快地调整了生存的状态,终于在八○第一届全国书法篆刻展中脱颖而出了。旋即又有《中国篆刻艺术》、《五百年流派印章艺术出新谈》、《中国印学年表》、《韩天衡印选》等继踵而出,一发不可收拾!他相当准确地把握住了一切的有利机缘,以一个猛士才具有的一往
Han Han-Heng In the new era of printing, if I have to cite only one person as the representative of this period, I will not hesitate to recommend Han Tian-Heng. Han Tianheng has become the epitome of Indian printing industry in the new era. In a certain sense, it is almost an act of God. In the mortal beings ignorant and deceitful spirit, competing wenwei attack Wei years, he is awake. Qianlong abyss, retreated in the dense, knives get the stone, poor study in India. At the beginning of the ideological liberation movement, art of carving recovered with the entire ideological liberation movement, and it was at such a moment that Han Tianheng stepped into the golden age of perplexity. With awake meditation, generous accumulation and mature enough to make people trust, as well as the progress of young people who have not subsided. He quickly adjusted the state of existence and finally stood out in the 80th National Calligraphy and Seal Cutting Exhibition. Soon there are “Chinese carving art”, “five hundred years of genre seal art out of a new talk,” “Chinese Indian School Chronicle,” “Han Tianheng printed election” following the heel out of one out of control! He quite accurate grasp All the favorable opportunities to a warrior to have a go