论文部分内容阅读
百年期待》以１９９７ 香港回归为写作契机，其第一部“历史隧道”以雄伟壮观的铺叙，追慕中华民族的历史之光，以“人是万物的尺度”、“人是万物之本”为主题颂曲，反映出长诗的古典人本主义精神高度。同时，本文在对第二部“炎黄之血”、第三部“百年期待”赞弹之际，指出让气质不同、灵性相异的诗人协力于诗创作是一个失误。诗中结构的交叠、风格的抵牾、华章之下的败笔，尤其是对重大历史事相的南辕北辙的理解，无不证明了“合成诗”实验的失败。
One Hundred Years of Expectations “took 1997’s return to Hong Kong as a turning point for its writing. Its first” Historical Tunnel “featured the majestic narration and the history of the Chinese nation. Taking” man as the standard of all things “and” man as the object of all things “as Ode to the theme, reflecting the poetry of the classical humanistic spirit. At the same time, on the occasion of the second ”Blood of the Yellow Emperor“ and the third ”100-year-expectation“, this article points out that it is a mistake for poets who have different temperament and different spirituality to work together in poetry. The overlapping of the structure of the poem, the contradictions of the style, the failure under the Chinese rule, especially the omission of understanding toward the major historical events have all proved the failure of the ”synthetic poem" experiment.