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一从20世纪初延续至今的现代中国文学整体中,发生了四次断裂:第一次是1920年代与古典文学传统的断裂;第二次是1980年代与狭隘社会主义文艺传统的断裂;第三次是1990年代与从1920年代起延续至1980年代的宏大文学传统的断裂;第四次是2000年以后与精英文学传统的断裂。在这个过程中,1990年代文学所具有的传承意义和转向作用非常重要。伴随着四次断裂发生的,有时是文学高峰,有时是文学低谷,而1990年代文学富于意味地居于两者之间:它既是对某些刻板观念的突
From the beginning of the 20th century to the present, the whole modern Chinese literature has undergone four breaks: the first is the break with the classical literature tradition in the 1920s; the second is the break with the narrow socialist literary tradition in the 1980s; the third The second is the break of the grand literary tradition of the 1990s and the continuation of the 1920s to the 1980s. The fourth is the break with the elite literary tradition after 2000. In this process, the literary significance and the turning function of the 1990s have become very important. Accompanied by four breaks, sometimes literary peaks, sometimes literary troughs, while the 1990s literature is richly mean in between: it is both a burst of stereotypes