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一、前言丰子恺(1898-1975)原名丰润,我国现代画家、散文家、美术教育家、音乐教育家、漫画家和翻译家,是在中国近代史上甚至是世界近代史上举足轻重的一位艺术家,日本学者谷崎润一郎在《读缘缘堂随笔》中评价到:“如果在现代要想找寻陶渊明、王维那样的人物,那么就是他了罢。”[1]并称其为“现代中国最像艺术家的艺术家”。朱光潜在《缅怀丰子恺老友》中这样评价他:“从顶至踵,浑身都是个艺术家”。他追求“多样统一”的审美理想,尝试把东西方美
I. INTRODUCTION Feng Zikai (1898-1975), formerly known as Fengrun, is an artist who has played a decisive role in the modern history of China and even in modern history in the world in modern Chinese painters, essayists, art educators, music educators, cartoonists and translators. , The Japanese scholar Tanizaki Junichiro in “Reading margin edge essay,” commented: “If you want to find Tao Yuanming in the modern, Wang Wei that figure, then he is strike it. ” [1] and call it “Modern China is most artist-like artist.” Zhu Guang potential in “memory Feng Zikai old friend” in his evaluation: “From top to heel, whole body is an artist.” He pursues the aesthetic ideal of “diverse unity” and tries to put the beauty of the East and the West