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刘梓洁以融合现代知识分子与底层的姿态,以一种既清醒知觉农村乡土丧葬仪式的荒谬,而又对它们抱持着将心比心与配合的情感化立场所创作的《父后七日》,虽然题材涉及死亡,但由于叙事者的双重但并非矛盾与对立的态度与信念,使得整部作品体现了对差异化的空间与人物(城市/乡村)、传统与现代性并存的尊重,而贯穿其中略带荒谬的喜感,更增添了其文学的风格化与特殊性。
Liu Zijie to integrate modern intellectuals and the attitude of the bottom, with a sense of awakening rural native funeral rituals absurd, but they hold the heart of love and cooperation with the emotional position created by “Father”, although the theme Involving death, but because of the dual but not non-contradictory and antagonistic attitudes and beliefs of the narrators, the entire work embodies the respect for the coexistence of differentiated spaces and people (cities / villages), traditions and modernity, With ridiculous joy, but also adds to the stylistic and particularity of his literature.