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在当代中国,主旋律电影、商业电影、作者电影构成中国电影产业的基本格局。三者之中,主旋律电影承载着国家意识形态,与国家的政策方针、舆论导向有着紧密联系;作者电影凝结着艺术家的个人情趣,大都是阐述个人主张,是独特的哲理思考与极强的人性分析,它们在文化表述上与市场有一定距离而不能成为市场的主打产品。商业电影是大众观念、品味的指向,是最“亲民”的一类电影,成为推动当下中国电影市场繁荣的最主要力量。当代中国商业电影创作中,一些高成本、高票房的
In contemporary China, the theme film, commercial movie and author movie constitute the basic pattern of Chinese movie industry. Among the three, the theme film carries the state ideology and is closely linked with the country’s policy guidelines and media guidance. The author’s film condenses the personal taste of the artist, most of which illustrate the individual’s proposition, which is unique philosophical thinking and strong human nature Analysis, they have a certain distance from the market in the cultural expression can not be the flagship product of the market. Commercial movie is the concept of mass, point of taste, is the most “people ” kind of movie, to promote the moment the most important force in the prosperity of the Chinese movie market. Contemporary Chinese commercial movie creation, some high cost, high box office