论文部分内容阅读
一转眼,2015年已过泰半。每个华语电影人回首这半年,应该都会有不同的感受。炒概念的在掐着手指盘算《左耳》《何以笙箫默》……这种量级的大IP还有多少个可供下手;研究类型片的则在反复思考《赤道》和《战狼》这一失一得间的启示与经验;制片主任们在忙着扫听《有一个地方只有我们知道》的维也纳和《横冲直撞好莱坞》到底哪个外景成本性价比更高;而老板们则渴望他们找到的下一个青年导演,既能有肖洋(《少年班》)的敏锐影像嗅觉,又能有徐昂(《十二公民》)的本土化本事——当然,如果拍出的片子能比这二位更赚一点,那就再好不过了……而对我们,这次记录更像是反思与总结:中国电影仍旧处于飞速增长期,但其背后暴露出的诸多问题,却早不是不闻不问便可自动消失的存在;原创被认为是吃力不讨好,透支成为大家不约而同的选择;明星与演员
In a blink of an eye, 2015 has been half-Thai. Every Chinese filmmaker looks back on these six months and should have a different feeling. The concept of the pinch in the hands of the finger count “left ear” “why Xiao-silent” ... ... this magnitude of IP there are a number of available to start; type of research in the film are thinking about the “equator” and “war wolf ”This is an unbelievable revelation and experience; production directors are scrambled to find out which location costs more for Vienna and“ Hollywood Rampage ”,“ There’s Only One We Know ”; and bosses are desperate for them The next young director to be found has both the sharp image of Xiao Yang (“Junior Class”) and the localization ability of Xu Ang (“Twelve Citizens”) - of course, These two more earn a little more, then it is no better ... And for us, the record is more like reflection and conclusion: Chinese film is still in a period of rapid growth, but many of the problems exposed behind it, but not long ago Smell can disappear automatically exist; original is considered thankless, overdrafts as everyone invariably choose; stars and actors