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汤显祖《牡丹亭·圆驾》写了杜丽娘、柳梦梅的团圆 ,但这是不了了之的团圆、荒诞的团圆 ,其独特结局的形成 ,与明代中期开始的审美情趣的发展有关 ,也反映了汤显祖创作思想的矛盾。本文对深入研究汤显祖的创作思想 ,有一定的意义
Tang Xianzu’s “Peony Pavilion · Round Driving” wrote the reunion of Du Li-niang and Liu Meng-mei, but it was indefinable reunion and absurd reunion. The formation of its unique ending was related to the development of aesthetic taste started in the mid-Ming Dynasty. It also reflected that Tang Xianzu The contradiction of creative thinking. This article has a certain significance for the further study of Tang Xianzu’s creative thinking