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林风眠的学生吴冠中可看作是另一个“例外”。他没有将重彩引入水墨之中,他喜欢轻淡的水墨画,常以大面积的淡墨置陈布势。他与林风眠的共同之处在于:他们都无视传统中国画的笔墨规范(因为他们在创造新规范),都在尝试将现代的造型观念和审美意识融入东方的传统艺术之中,以图在水墨画这个“旧系
Lin Fengmian student Wu Guanzhong can be seen as another ”exception“. He did not introduce the colors to the ink, he likes the light ink painting, often with a large area of pale ink Chen cloth potential. What he and Lin Fengmian have in common is that they are all ignoring the norms of traditional Chinese painting (because they are creating new norms) and are trying to incorporate modern stylistic concepts and aesthetic ideas into the traditional oriental art in order to showcase this aspect of ink painting ”Old Department