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根艺创造,主要依赖于根坯即原材料。而材料本身的原始毛形,又不象人们苛求的那样完美,因为根的本质就存在着似是而非残缺不全的表象。但是这种表象如能恰当地利用,往往会更能唤起欣赏者的兴趣。如贵刊1991年第8期17页的根艺作品《身残志坚》,该作充分地利用了根的天然残缺,塑造了一个断腿的体操
Genyi create, mainly depends on the root billet that is raw materials. The primitive hair shape of the material itself is not as perfect as people demand, because the essence of the root exists rather than incomplete appearance. However, such an appearance, if properly utilized, will often arouse the interest of appreciators. As you published in 1991, No. 8, 17 pages of root art work “stranded”, which make full use of the natural defects of the root, shaped a broken leg gymnastics