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作为纯粹的西方画种,水彩画在传入中国后,因与中国水墨画在用水用笔等方面的相似性,迅速开启了中国化的历程。在历经了萌芽期、发展期、成熟期和变革期后,成就了今天的中国水彩画。中国水彩画在构图、用水、用笔、留白、用线,特别是意境方面,呈现出了鲜明的民族特征。文章对中国水彩画的发展历程和民族特征进行了论述,提出在中国水彩画的未来发展中要保持这些民族特征,并构建具有鲜明中国文化特质的创作与评价体系。
As a purely Western painting, after being introduced to China, watercolors rapidly opened the course of Chineseization due to its similarity to water-use pen in China. After the infancy, development, maturity and transformation, the achievements of today’s Chinese watercolor. Chinese watercolor shows distinctive ethnic characteristics in the composition, water, pen, blank, line, especially artistic conception. The article discusses the development course and national characteristics of Chinese watercolor painting. It proposes that these ethnic characteristics should be preserved in the future development of Chinese watercolor painting and a creative and appraisal system with distinctive Chinese cultural characteristics should be constructed.