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水彩画进入中国己有百年历史,经过几代探索者几十年的实践、总结和呕心沥血,使当代水彩画的创作达到了前所未有的高度。但尽管如此,我们仍然遗憾的看到水彩画创作的整体面貌仍显单一,以照片式的具象写实作品充盈水彩画坛。形成这种现象的原因是多种多样的,而传统水彩画教学中所贯用的某些方法也是造成这些现象的一个重要原因。我们发现,在水彩画基础教学
Watercolors have been in China for centuries, and after decades of exploration by generations of explorers, they have summed up and made painstaking efforts to bring the creation of contemporary watercolor paintings to unprecedented heights. Nevertheless, we still regret to see that the overall appearance of watercolor painting is still singular, filling the watercolor landscape with photographic realistic portraits. The reasons for the formation of this phenomenon are varied, and some of the methods used in the teaching of traditional watercolor are also an important cause of these phenomena. We found that basic teaching in watercolor