论文部分内容阅读
上世纪30年代,鲁迅先生通过举办展览、开办“木刻讲习班”、翻译出版欧洲版画名家画册等方式,向国内介绍和传播国外木刻艺术。作为革命斗争的有力武器,这种艺术形式迅速被进步美术青年所接受,形成了具有极大感召力的“新兴木刻运动”。而同时,1932年在天津,一些爱好木刻的艺术青年组织了木刻研究小组——平津木刻研究会天津部,参加者有杨袁、唐达、李捷克、许仑音、张宝璐等人。他们与刘凤虎、李平凡、杨大辛等人逐渐形成了艺术群体,天津的木刻艺术发展得风起云涌。在10来年间,举办了“全国木刻联合展览”、“津京木刻联展”等具备全国影响力的木刻展览。2015年9月,“铁蹄下的青春——杨大辛与1943年津京木刻展”在天津举办,为我们揭开了这段历史,王伟毅先生为此写作了研究性论文《新兴木刻运动、“津京木刻联展”与杨大辛》,本刊连载此文,以期呈现这段特殊历史时期的风云变幻。
In the 1930s, Mr. Lu Xun introduced and disseminated woodcutting art to foreign countries through organizing exhibitions, setting up “woodcut workshops”, translating and publishing pictures of European prints and other famous albums. As a powerful weapon in the revolutionary struggle, this art form was rapidly accepted by the progressive art youth and formed the “new woodcut movement” with great charisma. Meanwhile, in 1932 in Tianjin, some art-loving woodcut art organizations organized a woodcut research group, the Tianjin Division of the Pingjin Woodcut Research Institute, with participants Yang Yuan, Tang Da, Li Jieke, Xu Lunyin, Zhang Baolu and others. They and Liu Fenghu, Li Pingfan, Yang Daxin and others gradually formed an art group, the development of woodcut art in Tianjin surged. In the coming ten years, we held “National Woodcut Joint Exhibition”, “Jinjing Woodcut Exhibition” and other nationally influential woodcut exhibitions. In September 2015, “Under the Iron Horse - Yang Daxin and the 1943 Jinjing Wood Carving Exhibition” was held in Tianjin and opened the way for us. Mr. Wang Weiyi wrote a research paper called “Emerging Woodcut Campaign” “Jin Jing wood engraving joint exhibition ” and Yang Daxin, "the article serialized this article, with a view to showing the changing history of this particular period.