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随着社会的发展,今天的戏剧舞台美术表现手法日益多样,其内涵也更加丰富多彩,奠定了新时期戏曲舞台美术的基础。但现在舞美设计中也存在着一些墨守陈规,不重内容专注技术的问题。一方面不能严格的从剧本角色出发,进行不断的创造束缚了自己。另一方面总想找一点新的形式,戏曲中一直有着传统的格式化习惯,出现哪些人物就出现哪些场景。譬如:正面有龙、虎、松、山水。反面多画些麒麟、狮子、凶虎等等。根据剧情的要求,充分利用现有的灯光技术,材料的条件来改变原有形象,深挖人物形象,一定会使戏曲舞台美术丰富多彩。
With the development of society, today's theatrical performance art scene is increasingly diverse, its content is also more colorful, laid the foundation for the art stage drama in the new era. But now there are also some wars in the United States design stage, not focusing on content technology focus. On the one hand, we can not strictly start from the script role, continue to create bound themselves. On the other hand, I always want to find some new forms. The traditional Chinese formatting habits in the opera have been followed. For example: positive dragon, tiger, pine, landscape. Opposite more unicorn, lion, fierce tiger and so on. According to the requirements of the story, making full use of the existing light technology, materials, conditions to change the original image, digging characters, will make the drama stage art rich and colorful.