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1、狂欢雨果《巴黎圣母院》中描写了巴黎市民的“愚人节”狂欢游行,一四八二年一月六日的虚拟的巴黎,出现在雨果笔下的巴黎,被一种狂欢的气氛笼罩着,巴黎市民沉浸在“愚人节”的狂欢中。他们带着选举产生的“愚人之王”来到大街上,惊奇和赞赏立即传遍了整个集群。只见他长着四面体的鼻子,马蹄形的嘴,独眼,驼背,跛子,身体的高度和宽度差不多;下部是方方的,两腿从前面看,好像是两把镰刀,刀柄同刀柄相连起来。在他的种种畸形里,有一种不容怀疑的坚定、严肃、勇敢的态度,这就是民众将要献出的愚人之王——巴黎圣母院的敲钟人加西莫多。人们把他抬在肩膀上,到大街上去游行。这个时候,忽然有个青年喊到;“爱斯梅哈尔达来了!爱斯梅哈尔达在
1, the carnival Hugo “Notre Dame de Paris” describes the Parisian people’s “April Fool’s Day” parade, Paris, January 6, one in the virtual January 6, appeared in Paris Hugo by a carnival Covered in atmosphere, the people of Paris immersed in the April Fool’s Day carnival. They came to the street with the elected “King of Fools,” amazed and appreciated the immediate spread of the entire cluster. I saw him with a tetrahedron nose, horseshoe-shaped mouth, one eye, humpback, lame, body height and width of almost; the lower part is square, legs from the front look like two sickles, the handle with the handle Connected. In his deformities, there is a firm, serious and courageous attitude that can not be doubted. This is the king of fools to whom the public will sacrifice - the bells of Notre-Dame, Quasimodo. People put him on his shoulders and went to the streets to parade. This time, suddenly a young man cried; "Esmeralda came! Esmeralda