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徐渭的大写意花鸟画是中国传统绘画发展到明代中晚期时风格转变的重要标志。徐渭首次将个人主观情感融进花鸟画的创作中,托物言情直抒胸臆。徐渭在这一时期将唐代朱景玄提出的“逸、神、妙、能”评画标准中最高标准的“逸”提到了前所未有的高度。放逸的绘画风格是徐渭通过巧妙的连接自己的人生和创作,成就了其绘画高峰,进一步推动了绘画史特别是花鸟画史的前进。因此,在其后长达几百年的绘画发展中留下了不可磨灭的影响,堪称是中国花鸟画史上具有里程碑意义的改革。
Xu Wei’s freehand bird painting is an important symbol of the change of style in the development of traditional Chinese painting to the late Ming Dynasty. Xu Wei for the first time personal subjective feelings into the creation of flowers and birds paintings, props romance straightforward expression. In this period, Xu Wei referred to the highest standard of “Yi ” quoted by Zhu Jingxuan in the Tang Dynasty as “the standard of ease, deity, wonderfulness, and can ” mentioned the unprecedented heights. Letting off the style of painting is Xu Wei through clever connection of his own life and creation, the achievements of its painting peak, and further promote the history of painting, especially the history of flowers and birds. Therefore, it has left an indelible influence on the development of paintings that lasted for hundreds of years. It is a landmark reform in the history of Chinese bird painting.