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正如一句名言所说的那样:“有一千个观众,就有一千个哈姆莱特。”笔者心中的“二泉映月”是笔者对名曲《二泉映月》从审美感知到审美理悟的坦白和直抒,这种主体性、个体性的审美“主动”当然应是与该曲这一审美的对象,客体之间实现最好的接轨,应是以该曲为基础的“主动”。所以,文中如有谬误,愿得到专家、同行、爱乐者的批评和指正。 一、曲中的“寒月、冷泉”是乐人心灵之“自然” 初听《二泉映月》,总习惯,总努力寻找该乐曲标题中为我们定向指出的自然美之尤物——“明月”和“二泉”的种种具象,如:月的柔媚、姣洁、清丽;泉的清泠、悦目、赏心,
As one famous saying puts it: “There are a thousand spectators, there are a thousand Hamlet.” The author’s “Two Rivers and the Crescent Moon” is the author of the famous song “Er Quan Ying Yue” from aesthetic perception to aesthetic theory The confession and direct comprehension of this subjectivity and individuality should, of course, be the aesthetic object of the song, the best connection between the objects, the “initiative” based on the song, . Therefore, if there is a fallacy in the text, we would like to get criticism and rectification from experts, peers and musicians. First, the song “Han Yue, Cold Spring” is the soul of the musician “natural” First heard “Er Quan Ying Yue”, the total habit, always trying to find the title of the song for us to point out the natural beauty of the object - “Moon” And “Erquan” all kinds of figurative, such as: the lovely moon, Jiao Jie, Qingli; spring of the Qing Ling, eye-catching, happy,