论文部分内容阅读
本文共三个部分。第一部分,从戏剧批评角度,探讨了主题思想与艺术生命的关系。作者是从这样几个方面论述的:一、作品主题思想的时代性。二、作品主题思想的历史性。三、主题思想的哲理性。四、主题思想的形象性。五、主题思想的外延性。第三部分,谈主题思想在戏剧创作中的位置,在整个审美活动中的位置,及它所受的制约性等,从而阐明主题思想与艺术生命的关系。全文共八千余字。因为篇幅较长,这里仅发表了第二部分。
This article has three parts. In the first part, from the perspective of dramatic criticism, the author discusses the relationship between the theme and artistic life. The author expounds from several aspects as follows: First, the theme of the work of the times. Second, the historical theme of the work. Third, the philosophical theme of the idea. Fourth, the image of the theme of thinking. Fifth, the extension of the theme of ideas. The third part is about the position of thematic thoughts in the drama creation, the position in the whole aesthetic activities, and the constraints it suffers, so as to clarify the relationship between the theme thoughts and artistic life. The full text of a total of more than eight thousand words. Because of the length, only published the second part.