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越剧《祥林嫂》是根据鲁迅小说《祝福》改编的。一九四六年五月,该剧初次在上海公演时,就被进步文艺界称为“新越剧的里程碑”。解放后,袁雪芬陆续对该剧作了三次较大的修改,使这出戏不但深刻体现了鲁迅原著抨击反动制度的精神,而且更加戏曲化、越剧化,做到内容和形式较完美的统一。通过反复加工,这出戏的唱腔也更加丰富、精致,脍炙人口,不少唱段广为流传,深受人们喜爱。“袁派”的特色,在该剧唱腔中相当充分地显示出来,并且有新的发展。袁雪芬创腔有个习惯:从不让别人谱好曲后自己按谱唱,她总是先深入理解剧情和人物性格,仔细揣摩人物的感情,在这基础上寻求最有表现力的音乐语言和艺术手段。“听他一番心酸话”这段唱,就是她在排练场上与琴师互相启发,当场确定下来的。
Opera “Xianglinsao” is based on Lu Xun’s novel “blessing” adaptation. In May 1946, when the show premiered in Shanghai, it was called the “milestone of the new Yue Opera” by the progressive literature and art circles. After the liberation, Yuan Xuefen successively made three major changes to the play, making the play not only profoundly embody the spirit of the original criticism and reactionary system of Lu Xun, but also dramatize and dramatize the play so as to achieve a perfect unification of content and form. Through repeated processing, the play’s singing is also more rich, refined, popular, many aria widely circulated, loved by the people. The characteristics of the “Yuan School” are quite fully shown in the singing of this drama and new developments have taken place. Yuan Xuefen Chuangcun a habit: never let others spectrum song after their own singing, she always first in-depth understanding of the story and character, carefully figure out the feelings of the characters, on the basis of seeking the most expressive music language and Art means. “Listen to some of his sad words,” this is her singing in the rehearsal field and the teacher inspired each other, the spot set.