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我国当前关于著作权的立法及司法实践均有不同程度的欠缺,致使某些看似简单的著作(财产)权纠纷都面临着众多的纷争。我们认为:音乐作品的著作权人在与音著协就其作品订立集体管理合同之后,双方形成的是一种特殊的信托关系,著作权人能否单独提起侵权之诉,应视双方合同条款有无约定;如无约定,著作权人的诉权不为所禁。对于民间文艺作品的权利归属问题,我们认为,在无相反证据对其进行实质性的逆否评价之前,民间作品的改编者除享有民间文艺作品的署名权外,也享有该作品的著作财产权。
At present, China's legislation on the copyright and judicial practice have varying degrees of lacking, resulting in some seemingly simple disputes over writings (property) are facing many disputes. We think that after the copyright owners of musical works have entered into a collective management contract with the Pinyin Association for their works, the two parties form a special trust relationship. Whether the copyright owner can file a separate complaint of infringement should be subject to the existence of the contractual terms of both parties If there is no agreement, the copyright owner's right of action is not banned. For the right attribution of folk art works, we believe that unless the evidence against the contrary is not substantively adversely evaluated, the editors of folk art enjoy the writings of the works in addition to the titles of folk art works.