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香港美术有着不同寻常的过去,其在20世纪的发展与文学、影视一样富有成果。“香港美术”是在香港地区逐渐发展起来的,以岭南特色中华传统文化为根基,并不断吸纳西方现代艺术造型元素的一种边缘型区域美术。它既是感性的、自发的,也是一种包容广泛的移民艺术:它继承了岭南文化长期以来形成的非正统、非规范的叛逆性格和经世致用、开放进取的世俗精神.同时融合了西方现代艺术中的理性与创新观念:它缺乏系统的美术史源流和形态学上一以贯之的风格.而其最大的特点就是在中西艺术夹缝中寻求沟通与认同.达到艺术上的自由重构。
Hong Kong art has an unusual past. Its development in the 20th century was as fruitful as literature and film. “Hong Kong Art” is a kind of marginal zone art gradually developed in Hong Kong, based on the traditional Chinese culture of Lingnan and constantly absorbing the elements of western modern art. It is both emotional and spontaneous, and is also a kind of immigrant art with a wide range of immigrants: It has inherited the unorthodox and non-standard rebellious character of Lingnan culture and the secular spirit of seeking truth from facts and from the enterprising spirit of the world, Rationality and Innovative Ideas in Modern Art: It lacks the systematical origins of art history and the consistent style of morphology, and its greatest characteristic is to seek the communication and recognition between the Chinese and Western art, and achieve the artistic freedom and reconstruction.