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通过考察中华人民共和国成立后到“文革”前这一时期中国小号作品创作的繁荣程度、创作数量、作品所达到的深度与广度,来研究中国小号作品创作的历史溯源。
Through the investigation of the prosperity, the number of creations and the depth and breadth of Chinese trumpet creations after the founding of the People’s Republic of China until the “Cultural Revolution” before the “Cultural Revolution”, this essay explores the traceability of Chinese trumpet creations.