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二十世纪是一个多元文化选择的时代。 选择即是一种先验结构上的文化过滤。误读、变形和创造性阐释是其间的必然伴生物。 二十世纪以来,整个世界都在向东看。西方戏剧经历了自身的发展后,开始从更高的层面回归最初的传统,以中国戏曲为代表的东方戏剧艺术成为他们刻意选择的对象。许多西方戏剧家开始对戏曲进行探索,从中汲取灵感。随着国界线的跨越,一批西方人对戏曲有了实质性的接触,比如布莱希特、斯坦尼斯拉夫斯基、梅耶荷德、格罗托夫斯基、桑顿·怀尔德
The twentieth century is an era of multicultural choice. Choice is a priori structural cultural filter. Misreading, distortion and creative interpretation are inevitable companions. Since the twentieth century, the entire world has been looking eastward. After experiencing its own development, western drama began to return to its original tradition from a higher level. Oriental theater art represented by Chinese opera became their deliberate choice. Many Western dramatists began to explore the drama, drawing inspiration from. As the national boundary crossed, a group of Westerners made substantial contact with the opera, such as Brecht, Stanislavsky, Meyer Hodder, Grotowski, Thornton Wilder