【摘 要】
：
《电影艺术》约我写文章,对《开国大典》的创作说几句话。我实在勉为其难。在我想来,一部作品问世之后,读者(观众)和历史便是最权威的说话人了,而作者的创作初衷、意图哪怕
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《电影艺术》约我写文章,对《开国大典》的创作说几句话。我实在勉为其难。在我想来,一部作品问世之后,读者(观众)和历史便是最权威的说话人了,而作者的创作初衷、意图哪怕说得天花乱坠,都是苍白无力的,更何况一部影片的诞生,其间经过导演、演员以及几十个艺术部门的艺术处理,已不单纯是印成铅字时的效果了。我只想就剧作本身说几句,也代表我的三位合作者,算我们参与讨论的一个发言。
“Movie Art” asked me to write an essay about the creation of the founding ceremony. I really reluctantly. In my opinion, after a work is published, readers (the audience) and history are the most authoritative speakers, and the original intention of the author, even if hype, is pale and weak, not to mention the birth of a film In the meantime, the art processing by directors, performers and dozens of arts departments has not only become effective when printed in type. I just want to say a few words on the play itself, and on behalf of my three collaborators, count as one of the statements we took part in the discussion.
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