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对人物极端的色欲、神经官能的退化以及行为的暴虐描写构成了弗·索罗金小说的叙事特色。作家一直在努力打破人类对自身、对世界、对西方工业文明的美丽幻想,为此,他不断采用“肮脏、下流、残暴、血腥”画面来昭示人类灵魂中的可恶本质,在他的作品中,人的身心和谐被巨大的物质身体的灾难与精神危机所取代。尽管评论界对于该作家的创作评价不一,但我们必须透过表象挖掘出作家创作的本质特征并给予其客观公允的评价。弗·索罗金,一个致力于打破所有美丽幻想,为颠覆关于人类的人文主义神话而不遗余力挖掘人性本质甚至用“粪便”来喻示其肮脏的作家,他所创作的“人性之毁灭”是为了接近真理,是为了克服人类物质身体的束缚而获得灵魂的高度升华。
The extreme lust of the character, the degeneration of the neurosis, and the violent depiction of behavior constitute the narrative features of the Noel’s novel. As a writer, he has been trying hard to break the beautiful human imagination of himself, the world and the industrial civilization in the west. To this end, he has constantly used “dirty, dirty, brutal, bloody” pictures to reveal the abominable essence of human souls. The harmony between body and mind was replaced by the catastrophe and spiritual crisis of a huge physical body. Although critics comment differently on the author’s writing, we must, through the appearance, excavate the essential features of writer’s writing and give objective and fair evaluation. One of his works devoted to breaking all the beautiful fantasies and subversing the humanistic myth of mankind and sparing no effort to discover the essence of human nature or even to use “manure” to denote his dirty writer, Destruction "is to approach the truth and gain a high degree of sublimation of the soul in order to overcome the shackles of the human material body.