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张关正先生曾任中国戏曲学院研究生部主任多年,是京剧界德高望重的专家。关正先生一向给我的印象是淳和温厚,绝非好为险峻奇言者。不料2014年8月,已经致仕归家的他,却在一次名为“寻梦·承泽”的京剧研讨会上,突发奇言,高调批评戏曲界艺术观念倒退,尤其对京剧界奉为圭臬的“两个凡是”现象,予以了非常尖锐地批评:“文革后,破除了‘两个凡是’,但是在京剧界,‘两个凡是’更严重了:凡是大师有的都不能乱动;凡是大师没有的不许
Mr. Zhang Guanzheng served as director of the Graduate School of the Chinese Opera Institute for many years, is a highly respected Peking Opera experts. Mr Kwan Ching has always given me the impression that Chun and gentle, not a good as a stealthy clich. Unexpectedly, in August 2014, he has been sent off to go home, but at a Peking opera symposium titled ”Dreaming Cheng Cha “, unexpected miracles, high-profile criticism of the concept of art backwards, especially for the opera industry The phenomenon of ”two commonness“, which is regarded as a precept, has been very sharply criticized: ”After the Cultural Revolution,“ two things are commonplace, ”but in the Beijing opera world, ’two things’ are more serious: Can not move; all master not allowed