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“孔子登东山而小鲁,登泰山而小天下”。登高不但给予贤者更广阔的视野,启迪文人思考的广度与深度,也使得中国古典诗歌中衍生出一类以登临为主题的诗作。沪教版初、高中语文教材遴选的《步出夏门行·观沧海》(曹操)、《登金陵凤凰台》(李白)、《登楼》(杜甫)、《登快阁》(黄庭坚)、《水龙吟·登建康赏心亭》(辛弃疾)等诗作均可划归登临诗范畴。诗人或登危楼、或临古台、或凌绝顶,极目远眺,眼前之景或过往之际引发其内心或沉郁或宏壮的感慨。正如刘勰在《文心雕龙》中所言:“登山则情满于山,观海则意溢于海。”这些在空间至高点抒发出来情感与情怀,值得我们细细赏鉴。
“Confucius Deng Dongshan and small Lu, Deng Taishan and the world ”. Ascension not only gives the Sage a broader perspective, enlightening the breadth and depth of literati thinking, but also makes Chinese classical poetry derived from a class of boarding themed poetry. (Cao Cao), Deng Jinling Phoenix Terrace (Li Bai), Deng Xian (Du Fu), Deng De Kui (Huang Ting Jian), the “ ”Shuiyin Deng Ken Kang Pavilion“ (Xin Qiji) and other poems can be placed under the category of boarding poetry. Poet or Deng dangerous floor, or Lin Gu Tai, or Ling top, overlooking the immediate scene or the past triggered the heart or gloomy or grand feeling. As Liu Xie said in ”Wen Xin Diao Long“, ”Mountaineering is full of mountains and sea of view is overflowing with the sea." These emotions and emotions are expressed in the space to the highest point and deserve our careful appreciation.