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本文以短篇小说的基本要素和元话语的性质、原则、功能为基准,以短篇小说各阶段艺术特征和语类观为依据,着重阐述短篇小说元话语的虚构性特点,短篇小说主人公、人物、视角与言据标记元话语、自称元话语和介入标记元话语嬗变性的特点,以其说明元话语在不同语类中表现方式具有差异性。短篇小说元话语有其特殊性:虚构性和嬗变性,理解领悟短篇小说元话语虚构性和嬗变性的特点更能加深对元话语的研究,拓宽视野,增强不同语类中的元话语的鉴别力,为写作和阅读教学提供借鉴作用。
Based on the basic features of the short stories and the nature, principle and function of the meta-discourse, this article focuses on the artistic features and the genre views of the various stages of the short story. It focuses on the fictional features of the short discourse, the protagonist, the characters, Perspectives, and meta-discourse markers meta-discourse, self-proclaimed meta-discourse and interventional discourse meta-discourse transmutation characteristics, with its description of meta-discourse in different categories of performance is different. Metaphorical discourse of short stories has its own particularity: the fictionality and transmutation, the comprehension of the characteristics of comprehending the fictionality and transmutation of the meta-discourse of short stories can further deepen the research on meta-discourse, broaden their horizons and enhance the identification of meta-discourse in different categories For reference, writing and reading teaching.