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长期以来,我国的水彩画很不景气,直至近几年来,得力于一批有识之士的鼎力组织,其活动才频繁地开展起来,出现了前所未有的迅猛发展,并在社会上引起了一定的反响.然而,从当代中国美术总体发展的状况中来纵观水彩画,不难看出,无论是画家的思想观念,还是其作品的内容题材或画幅,全都自缚在“小品”上.同时,水彩画也一直没有摆脱社会的歧视和冷落,以及由此产生的恶性循环的劣势境地.因此,水彩画若要真正意义上的振兴,还需要:一,正确认识水彩画,走出“小品论” 的误区;
For a long time, the watercolor of our country is in a downturn. Until recent years, thanks to the energetic organization of a group of people of insight, its activities have been carried out frequently and witnessed an unprecedented rapid development and aroused a certain However, judging from the general development of contemporary Chinese art, it is not hard to see that both the artist’s ideas and the content or the frame of his work are all tied to “sketch.” Meanwhile, watercolor But also has never been out of social discrimination and neglect, as well as the resulting vicious circle of inferior position.Therefore, if you want to really revitalize the watercolors, you also need: First, a correct understanding of watercolor, out of “misunderstandings” misunderstanding;