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陕西省歌剧团上演的无场次歌剧《飘香的花手帕》,在舞台美术设计中,尝试运用转台变换环境,摆脱老一套的布景办法;从“洞房”的基础形象作到一景多用,达到生活与艺术的融合统一。全剧三个不同场景:①洞房、②庭院、③巷道,都是在洞房这个基础形象上派生。洞房墙壁,可转化成村头巷道;洞房门外,同院子相接连,转化为张灯结彩、喜气洋洋的李家院落。这三个场景的主要形象,都是建筑的直线条构成,易使场景显得刻板、平庸。因此,我在设计中借助略加艺术夸张了
During the stage art design, the opera-free opera “Handkerchief of Fragrant Flowers” performed by the Shaanxi Provincial Opera Troupe tries to use the turntable to transform the environment and get rid of the old set of scenic spots. From the basic image of the “bridal chamber” to the multi-purpose scene of life, Integration with the arts. The three different scenes: ① bridal chamber, ② courtyard, ③ roadway, are derived from the basic image of bridal chamber. Bridal chamber walls, can be transformed into village roadway; outside the cave door, with the courtyard connected, into a lantern, beaming Li courtyard. The main image of these three scenes, are the composition of the straight lines of the building, easy to make the scene seem stereotyped, mediocre. Therefore, I am exaggerated in the design with a little art