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当演员赵薇凭借电影《致我们终将逝去的青春》收获7.26亿的票房成功转型成了导演后,青春电影似乎就成了电影界里被设置了的“议程”。但是观众对这一题材的主动选择并不满足于对老故事的重温,更期待在熟悉的模式下感受新的刺激,所以缺少诚意的平庸之作能赚得了口碑却赢不来票房。直到去年年底,一位“名门之后”的新秀导演交上了一份让人眼前一亮的答卷。双生花的模式引入镜像与错位的互为映照结出中国式青春独有的精神内核。
When actress Vicki Zhao succeeded in translating the $ 726 million box office success into the director’s movie “Towards Us, Who’s the End of Youth,” the youth movie seemed to be the “agenda” set in the movie world. However, the audience’s active choice of this theme is not satisfied with the review of the old story, but also look forward to familiar with the new mode of stimulation, so the lack of sincerity of the mediocre can earn a reputation but won the box office. Until the end of last year, a “rookie ” rookie director handed in a shining answer. The pattern of twins introduces the mutual reflection of mirror image and dislocation to form the unique spiritual core of Chinese youth.