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文章主要探讨诺思洛普.弗莱构建文化批评的方式。他以文学为切入点进入文化批评,由词语的向心力和离心力形成的两极张力构成了其整体批评基础,文化批评则位于批评的离心倾向上。此外,弗莱借用“神话”来阐释文化批评,神话的多义性再次张开了一个向心/离心阐释模式,这一模式正是审美论和决定论复杂关系的体现。弗莱企图中和两者,从而使文学与文化批评融为一体。
The article mainly explores the way Northrop Frye constructed cultural criticism. He entered the cultural criticism from the perspective of literature, and the bipolar tension formed by the centripetal force and centrifugal force of words formed the basis of his overall criticism. Cultural criticism was on the centrifugal tendency of criticism. In addition, Frye borrowed “mythology” to explain cultural criticism. The mythological ambivalence once again opened up a centripetal / centrifugal interpretation model, which is exactly the embodiment of the complex relationship between aesthetic theory and determinism. Frye attempts to neutralize both, thus integrating literary and cultural criticism.