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近年来,我国已多次送片参加国际性短片电影节活动,可送去的几十部影片,不用说得奖,连参赛的资格都几乎没有,为什么?有位评委说得好,他们选片的前题是影片要以揭露社会矛盾,增强人与人之间关系为主要内容的。我们且不论这评选标准是否合理,只是感到他所说的正是我国纪录片目前最大的弱点所在,创作者只爱将纪录影片的视点停留在“风光”、或“成就”方面,而不敢去反映问题,揭露弊端。即以上届获奖纪录片《手》为例,影片描写了各种类型丰富多姿的手,唯独不去拍拍那些专为自己捞好处者的“手”。前不久,看了一部反映大兴安岭扑火救灾的纪录片,它除了歌颂军民奋力扑火的内容外,就是看不到对官僚主义者行为的揭露,为什么就不能拍一下漠河县长和消防队长是如何在大火中不顾人民利益,只顾保护自己房子不受
In recent years, our country has repeatedly sent films to participate in international short film festival activities. There are dozens of films that can be sent to the public. Needless to say, there are few qualifications for the competition. Why? The prelude to the film is to expose the social conflicts and enhance the relationship between people as the main content. Regardless of the reasonableness of the selection criteria, we feel that what we are talking about is the biggest weakness of our documentary at this moment. Creators only love to keep the point of view of the recorded video in terms of “scenery” or “accomplishment”, and can not dare to reflect it Problems, exposing the drawbacks. That is the last winning documentary “Hand”, for example, the film depicts all kinds of rich and varied hands, but not to pat those who specifically for their lucky “hand.” Not long ago, I read a documentary reflecting the disaster relief plan in the Greater Khingan Range. Apart from praising the contents of the army and the people who worked hard to find out the flames, I did not see the revelations about the behavior of the bureaucrats. Why can not I take pictures of the county head and the fire chief? How to ignore the interests of the people in the fire, only to protect their own houses from