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和排演现代剧目不同,导演在排演古典名著时,总想架设～座沟通古典名著和当代观众的桥梁,这对导演的创造活力是一种考验。今年3月,当我为煤矿文工团话剧团导演莎士比亚著名喜剧《仲夏夜之梦》时,面临的正是这样的绣惑。我希望通过这种作法,既展现《仲》剧的独特的魅力,又能使今天的中国观众欣然接受,当然,最好还能体现一点我这个导演的创作个性。我想在这三者的统一中,达到忠于原著的目的。
And rehearsal of modern repertoire is different, the director in the rehearsal of classics, always wanted to set up ~ to communicate the bridge between the classical and contemporary audiences, which is a test of the director’s creative vitality. In March of this year, when I was director of Shakespeare’s famous comedy “A Midsummer Night’s Dream” for a coal miners repertory theater group, I was confronted with such embezzlement. I hope this will not only demonstrate the unique charm of the “Chung” drama, but also make the Chinese audience feel welcome today. Of course, it is best to reflect on the creative personality of my director. I want to achieve the goal of being true to the original in the unity of these three.