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核心观点:“中国制造+”的核心就是生产端与消费端的端对端对接。中国制造,曾经是世界名器的同义语,人类最顶级工艺的代名词。例如秦汉的青铜器,隋唐的金银丝帛,宋代的窑瓷,无一不是人间瑰宝。但是任何事物皆有定数,盛衰终始,理所必然。如果以明代崇祯十年初刊的《天工开物》为界,中国在与世界群雄奋步狂奔的工艺竞赛里,终于开始步履蹒跚,龙钟老态毕现。民族工艺的生命会衰老吗?或许不是因为衰老,
The core point of view: “Made in China + ” is the core of the production end and consumer end-to-end docking. Made in China, once synonymous with the world famous, synonymous with the most advanced human technology. For example, the Qin and Han bronzes, Sui and Tang Dynasties silks and silver silk, the kiln porcelain of the Song Dynasty, are all human gems. But everything has a fixed number, the rise and fall of the end, it is inevitable. Taking the “Heavenly Creations” of the first issue of the Chongzhen decade of the Ming Dynasty as a boundary, China finally began to falter in its process competition with the world warlords. National crafts life will age it? Perhaps not because of aging,