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李雯洪这个名字在瓷都景德镇,人们并不陌生了,在陶艺界也日渐引人注目。这倒不是因为她有什么惊人之举,或者说,她的作品得过什么大奖,卖过什么高价,而是她的作品随意、自然、纯朴的风格所具有的审美魅力给人以深刻的印象。李雯洪在艺术上,深受景德镇陶瓷学院教授、著名陶艺家姚永康先生的影响,但她注意走自己的路,既不蹈袭时尚,也不追名逐利,而是实实在在,用陶泥、用釉色,用她那随意捏就的造型来表现内心的情愫和点滴的生活感受,达到做人、生活与做陶的统一,所表现的动物也不追求形式,不着意表现它们的奇异、凶猛和兽性;而是着意表现它们的情趣——或是嬉戏、或是沉思,或是欢笑,或是仰头观望,或是低声寻觅的情趣瞬间,表现出一种明快、欢乐 自
Li Wenhong this name in the porcelain Jingdezhen, people are no stranger to the ceramist community has also become increasingly attractive. This is not because of what astonishing she is, or what grand prize her works have been and what high prices have been sold, but the aesthetic appeal of her free, natural and simple style is impressive . Li Wenhong in art, by the Jingdezhen Ceramic Institute Professor, famous ceramic artist Yao Yongkang influence, but she paid attention to go their own way, neither fashionable, nor chasing fame and fortune, but real, with Tao Mud, with glaze, with her shape freely to pinch the inner feelings and feelings of life, to life, life and do the unity of pottery, the animals are not the pursuit of the form of performance, they are not intended to express their singularity, Ferocious and beastly; rather, they are intended to express their taste - either playful, meditative, or laughing, or looking up, or whispering into the moment of pleasure, showing a cheerful, happy