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当下水墨发展过程已步入一个“冰冻”季节,如同生活在南方流域的人们,自然少了一种北方人对冬天冰封时季的心理准备、一种等待过程。水墨冬季过程的产生,促使人们从观念上意识到,水与墨的液体性质,正在转换到一个冰块的体积过程,从水墨的平面视觉观赏过程,进入到一个多维的立体空间,因而传统意义上的水墨延续关系,由于冰冻而凝结成一种新结构关系,新的诠释,难以过早定论冰封之后的水墨本质关系。就如同春天与冬天,笔墨与非笔墨孰优孰劣的问题。当下水墨艺术不应长期停留在笔墨问题的重复研究,而忽视水墨与当下文化的观念性转变。笔墨关系演绎到底是个人艺术的自由式表现手段,既然是一种个人手段,那么
The current ink development process has entered a “frozen” season, as people living in the southern basin, naturally less of a northerner for the winter ice season, the psychological preparation, a waiting process. The emergence of the winter process of ink and wash has prompted people to realize that the liquid nature of water and ink is being transformed into a volumetric process of ice cubes. From the process of planar visualization of ink and wash into a multi-dimensional three-dimensional space, the traditional meaning On the continuation of the relationship between ink and water, due to freezing and condensation into a new structure, new interpretation, it is difficult to prematurely freeze after the essence of the relationship between ink and wash. Just as in spring and winter, the question of which one is better is better than another. The current art of ink should not stay in the repeated study of the problem of ink and wash, ignoring the conceptual change of ink and ink and the current culture. The deduction of the relationship between the pen and ink in the end is a personal expression of free-style means of art, since it is a personal means, then