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在摄影和影像之间是否存在一条绝对的,由两种媒介本身的特质引发的界线?在摄像技术发明以来,这个疑问成为图像制作者们津津乐道的迷思。对于很多在二战后崛起的图像理论家来说,这个问题的答案显而易见:摄影和影像之间不存在绝对的先天的界线,因为两者都是在一个单位时间内使用机械装置从现实中攫取一部分景观来构成图像的。相机的快门正是实现这个功能的基本工具。而所谓的影像其实完全可以被看作是无数张快速
Is there an absolute line between photography and video that is triggered by the traits of both media? Since the invention of the camera technology, this doubt has become a myth of relish for image makers. For many image theorists who emerged after World War II, the answer to this question is obvious: There is no absolute congenital line between photography and video, as both use a mechanical device to capture a portion of reality in a single unit of time Landscape to form the image. The camera shutter is the basic tool to achieve this function. In fact, the so-called video can be seen as countless fast