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纵观当代中国动漫文化突飞猛进的发展之下,丰富多彩的动画形象百家争鸣,以广西少数民族民间故事为背景和题材的动画形象是少之又少。在如今的动画市场中,多以“快餐文化”的动画作品为主流,存在着浓郁的日本风格,缺少中国独特的动画形象。文章通过动画形象的造型设计,探讨软陶在广西本土少数民族人物形象塑造中的运用,这将为广西民族元素在动画形象设计的领域注入新的希望,也将重新审视广西少数民族本土元素在动漫文化发展中的重要性。
Looking at the rapid development of contemporary Chinese animation and culture, there are few and no animated images with colorful and colorful animated images contested by ethnic minorities in Guangxi as the background and themes. In today’s animation market, most of the animated works with “fast food culture” are the mainstream, with rich Japanese style and lack of unique Chinese animation images. The article explores the application of the soft clay in shaping the image of local ethnic minorities in Guangxi through the modeling design of the animated image, which will inject new hope into Guangxi’s ethnic elements in the field of animated image design and will also reexamine the local elements of Guangxi ethnic minorities in Importance of animation culture development.