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“当代性”毫无疑问是个大词,它是评论家手中的标尺也是大棒。“缺乏当代性”的指责在某种程度上几乎等同于缺乏先进生产力的批判,足以使很多艺术家羞愧难当,郁闷不已并直接引发身份的焦虑。对于艺术家而言,它意味着更具体的方向和选择,更为现实的是这些抉择总是会与“站队”问题密切相关,它直接决定了你可以在哪个圈子里玩,而当代艺术家的身份总是有着足够的吸引力。然而,我们终究无法直接按照理论指导去打造作品,正如我们无法指望能有一部“后现代技法大全”一劳永逸地解决我们所有的问题。无论你是否心怀天下,创作终究只是与个体密切相关的行为,它是我们试着以自己的方式解答与生存
“Contemporary ” is undoubtedly a big word, it is the ruler in the hands of critics is also a big stick. The blame for “lack of contemporaryity” is, to a certain extent, almost equivalent to criticism of the lack of advanced productive forces, enough to make many artists ashamed, depressed and directly trigger identity anxieties. For artists, it means more specific direction and choice, more realistic is that these choices are always closely related to the “standing team” question, which directly determines which circle you can play in while contemporary artists The identity is always attractive enough. However, after all, we can not directly create works according to the theoretical guidance, just as we can not expect to have a solution to all our problems once and for all. Regardless of whether you cherish the world, after all, the creation is only closely related to the individual behavior, it is that we try to answer and survive in their own way