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伴随着信息载体技术的发展与演变,影像这一信息载体也赋予了具有更深层次的使命,它被称为一种新的国际性语言。一张风光绚丽的风景摄影图片,无论其拍摄者为哪一个国家的人,都能以信息载体的方式将相同的信息传递给世界各地人民。而这一个信息传递的行为过程,早在其史前时期洞穴壁画中的动物图案就开始了。这些史前洞穴壁画,对于今天的世界来说,仍富有研究的意义。古代中国文化中有句成语“一画抵千言”经常被引用,恰好说明了此言的真谛。而有关如何提高影像获取的技艺问题的研究已有不少,但是涉及与影像有关的视觉传达概念,即人的视觉系统、情感对现实物质世界中德视觉刺激是如何发现、理解、运用的研究较少。本文将对影像创作中的视觉原理概念、理解、运用进行研究,解开其中的奥妙。
With the development and evolution of information carrier technology, image information carrier has also given a deeper mission. It is called a new international language. A beautiful landscape picture, no matter what country the photographer is, can deliver the same message to people all over the world in the form of an information carrier. And this process of transmitting information began as early as in its prehistoric cave paintings of animal patterns began. These prehistoric cave murals are still rich in research significance for today’s world. There is an idiom in ancient Chinese culture, “a painting arrived a thousand words,” is often cited, just shows the true meaning of this remark. However, there are many researches on how to improve the art of video capture, but it involves the concept of video-related visual communication, that is, the human visual system, and how the emotion is found, understood, and applied to the visual stimuli in the real material world less. This article will study the concept, understanding and application of visual principles in image creation to solve the mystery.