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在欧洲、中国、日本和苏联音乐学文献中,对中国民间音乐和古代传统音乐中的多声部问题,或是持否定态度,或是乾脆模棱两可。然而,经过多年深入细致地了解,对出版物和对民间音乐实际考察所录制的中国音乐艺术的大量磁带的研究,解译数字记谱法,使本文作者坚信,中国存在着多种支声体的多声音乐,它们往往为模仿和固定低音形式,其中有些在欧洲传统中是不常见的。据我们所知,所有这些形式,在中国现代专业作曲家的作品中还远未被应用。因此,对它们的探讨和研究,不单纯具有学术性,而且还有实用意义。中国民间多声音乐手
In the music literature of Europe, China, Japan and the Soviet Union, the issue of multi-vocality in Chinese folk music and ancient traditional music is either negative or ambiguous. However, after years of thorough and detailed study, the study and interpretation of a large number of tapes of publications and publications on the mass recording of Chinese music art recorded in the field of folk music led the authors to believe that there are many kinds of trumpets Often multi-voiced music, they tend to imitate and fix bass forms, some of which are uncommon in European traditions. As far as we know, all these forms are far from being applied in the works of modern Chinese professional composers. Therefore, the discussion and research on them are not only academic but also of practical significance. Chinese folk music player