论文部分内容阅读
一个演员最大的愿望就是实践——演戏.经验告诉我们,演员不能长久地脱离舞台实践,不能经常失去和群众的联系,否则,他就脱离了现实斗争,不能运用自已特有的武器来为社会主义革命服务;同时,他的艺术水平也就会停滞.我是在不断的实践中,不断地从事斗争中成长起来的一个演员.从一九三七年到一九四五年,我在演剧队工作期间共扮演了近三十个不同的角色,其中有十六个是多幕剧.演出的场次和观众人数是无法统计的,但确实很多.而解放以后的六年中,我仅仅扮演
The greatest desire of an actor is practice - acting.Experience tells us that the actor can not be long-term out of the stage practice, can not often lose contact with the masses, otherwise, he is out of the actual struggle, can not use their own unique weapons for socialism Revolutionary service; the same time, his artistic level will be stagnant .I am in constant practice, continue to struggle in the growth of an actor from 1937 to 1945, I play The team played a total of nearly 30 different roles during the team’s work, of which 16 were multi-screen plays. The number of performances and the number of spectators was not statistically significant, but indeed many. In the six years after liberation, I only played