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学者、影评家们关于电影研究的精彩篇章不胜枚举,但本文试图开辟另外一个方向:从电影内部的女性形象在特别阶段的特定图像范式这一点切入,利用包括社会学、人类学、图像学、阐释学、戏剧学等现代综合研究方法,从各个角度分析隐藏于迪士尼影片及其剧本原典中的女性角色背后诸多时时变化甚至自相矛盾的价值现以及何以产生的缘由和基于这种缘由所发散出的各种可能性。笔者将从四个相互关联的方面来切近这个目的。一、用社会学、人类学、图像志解释的方法解读早期迪士尼“公主”系列电影中的典型女性形象,解析其起源以及长久保持其特质的原因。二、探究电影中关于女性角色的二元对立的矛盾视角,神话学、现代戏剧学理论或许能解释这种对立角色对动画电影的意义。三、列举冷战后迪士尼电影中女性角色种种新的倾向及其背后的推动力。四、推演女性角色的趋势走向与现代社会秩序中消费受众的文化结构之间的关系。以上四个部分将围绕已成定论的迪士尼电影发展的线性脉络展开。
There are many brilliant chapters about scholarship and film critics. However, this article attempts to open up another direction: from the perspective of the female image in the film at the specific image paradigm of the special stage, using such methods as sociology, anthropology, imageology , Hermeneutics, drama and other modern comprehensive research methods, from all angles to analyze the many hidden behind the changes in the female characters in the Disney movie and its original script even the value of self-contradictory now and why the reasons and for this reason Diversified possibilities. I will approach this objective from four interrelated aspects. First, interpret the typical female images in early Disney ’s “Princess ” series with the methods of sociology, anthropology and pictorial interpretation, and analyze the reasons for their origin and long-term characteristics. Second, exploring the conflicting perspectives of binary oppositions on female roles in the film, mythology and modern theory of drama may explain the significance of this opposition to animated films. Third, list the new tendencies and the driving force behind the female characters in the Disney films after the Cold War. Fourth, the relationship between the tendency of deducing the female role and the cultural structure of consumer audience in the modern social order. The above four sections will focus on the established vein of Disney movie development.