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汉斯·贝尔廷在《现代主义之后的艺术史》第十章《媒体艺术的时间性与历史的时间性》中以录像艺术为例来讨论艺术史的思维方式所面临的新挑战。录像艺术作为一种考察、记录并思考时间概念的媒体,本身是通过呈现时间而存在的,并在对技术的依赖之中面临迅速过时的危机。而录像艺术的创作本身恰恰提供了一种独立于我们所熟知的时间经验以外的私密的和主观性的时间构造。录像艺术家掌握了时间的主动性,他/她可以
Hans Beling discusses the new challenges faced by the way of thinking of art history with the example of video art in Chapter 10 of “Art History after Modernism”, “Timeliness of Media Art and Timeliness of History”. As a media that examines, records and contemplates the notion of time, video art itself exists through the presentation of time and faces a rapidly aging crisis in its reliance on technology. The creation of video art, by its very nature, provides an intimate and subjective time structure independent of our familiar temporal experience. The video artist grasps the initiative of time, he / she can